| 1:31 | Est. Play Time |
| 24 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo |  |
17 | 35 | 6 | 5 | 100% |
 |
15 | 2 | 3 | 5 | 100% | |
| View all 5 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
17 | 35 | 6 | 5 | 100% |
|
15 | 2 | 3 | 5 | 100% | |
| Bassoon Continuo | |
14 | 0 | 3 | 5 | 100% |
| Bass as Raymondo |
|
17 | 0 | 5 | 8 | 75% |
| Oboe | |
8 | 0 | 2 | 3 | 71% |
| 1:51 | Est. Play Time |
| 42 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
15 | 23 | 4 | 4 | 86% |
|
22 | 28 | 4 | 2 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
15 | 23 | 4 | 4 | 86% |
|
22 | 28 | 4 | 2 | 100% | |
| Bassoon Continuo | |
19 | 0 | 4 | 2 | 62% |
|
14 | 1 | 2 | 2 | 57% | |
| Bass as Consalvo |
|
13 | 1 | 4 | 4 | 60% |
| Violin 1 |
|
12 | 0 | 0 | 4 | 57% |
| Violin 2 |
|
12 | 0 | 2 | 2 | 57% |
| Violoncello Continuoi | |
14 | 1 | 2 | 2 | 57% |
| 1:56 | Est. Play Time |
| 54 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
20 | 26 | 6 | 5 | 100% |
|
18 | 15 | 4 | 5 | 100% | |
| View all 5 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
20 | 26 | 6 | 5 | 100% |
|
18 | 15 | 4 | 5 | 100% | |
| Contrabass Continuo | |
17 | 0 | 4 | 5 | 100% |
| Violoncello Continuo | |
17 | 0 | 4 | 5 | 100% |
| Tenor as Fernando |
15 | 0 | 5 | 5 | 67% |
| 1:48 | Est. Play Time |
| 39 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
23 | 19 | 2 | 6 | 100% |
|
22 | 21 | 4 | 6 | 87% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
23 | 19 | 2 | 6 | 100% |
|
22 | 21 | 4 | 6 | 87% | |
| Violin 1 |
|
14 | 0 | 1 | 6 | 92% |
| Violin 2 |
|
15 | 0 | 1 | 7 | 92% |
| Violoncello | |
15 | 0 | 2 | 5 | 79% |
| Dorinda | 11 | 0 | 2 | 6 | 77% | |
| Contrabasses | |
13 | 0 | 2 | 4 | 64% |
| Violoncellos | |
13 | 0 | 2 | 4 | 64% |
| 1:51 | Est. Play Time |
| 42 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
15 | 23 | 4 | 4 | 86% |
|
22 | 28 | 4 | 2 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
15 | 23 | 4 | 4 | 86% |
|
22 | 28 | 4 | 2 | 100% | |
| Bassoon Continuo | |
19 | 0 | 4 | 2 | 62% |
|
14 | 1 | 2 | 2 | 57% | |
| Bass as Consalvo |
|
13 | 0 | 4 | 4 | 60% |
| Violin 1 |
|
12 | 0 | 0 | 4 | 57% |
| Violin 2 |
|
12 | 0 | 2 | 2 | 57% |
| Violoncello Continuoi | |
14 | 1 | 2 | 2 | 57% |
| 1:40 | Est. Play Time |
| 15 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsi | |
14 | 39 | 4 | 5 | 100% |
|
17 | 48 | 5 | 5 | 100% | |
| View all 6 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsi | |
14 | 39 | 4 | 5 | 100% |
|
17 | 48 | 5 | 5 | 100% | |
| Strings | |
23 | 70 | 8 | 6 | 100% |
| Violoncello | |
14 | 0 | 2 | 5 | 100% |
| Violone | |
12 | 0 | 2 | 5 | 100% |
| GOBRIAS | |
14 | 0 | 4 | 6 | 93% |
| 1:32 | Est. Play Time |
| 21 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harp | |
19 | 27 | 7 | 4 | 100% |
|
17 | 13 | 7 | 3 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harp | |
19 | 27 | 7 | 4 | 100% |
|
17 | 13 | 7 | 3 | 100% | |
| Amarilli | |
14 | 0 | 5 | 3 | 100% |
| Contrabasses | |
11 | 0 | 4 | 3 | 100% |
| Violas | 9 | 0 | 2 | 4 | 100% | |
| Violins 1 |
|
12 | 0 | 4 | 3 | 100% |
| Violins 2 |
|
11 | 0 | 4 | 3 | 100% |
| Violoncello | |
11 | 0 | 4 | 3 | 100% |
| Violoncellos | |
11 | 0 | 4 | 3 | 100% |
| 1:47 | Est. Play Time |
| 28 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| B.c. | |
12 | 0 | 4 | 4 | 100% |
| Amarilli | 14 | 0 | 4 | 5 | 68% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| B.c. | |
12 | 0 | 4 | 4 | 100% |
| Amarilli | 14 | 0 | 4 | 5 | 68% | |
| Mirtillo | 10 | 0 | 3 | 3 | 50% | |
| Hpsi | |
14 | 17 | 4 | 2 | 46% |
|
9 | 5 | 2 | 4 | 46% | |
| Harp | |
14 | 12 | 4 | 1 | 43% |
|
12 | 10 | 3 | 2 | 43% | |
| Theorbo | |
12 | 6 | 5 | 2 | 21% |
| Lute | |
13 | 10 | 4 | 3 | 18% |
